I Woke Up A Cello
I woke up a cello
today, breathing heavy
chords into my
cloistered room, feeling
reverberations
through my awkward
wooden body.
Pausing
to rest from
an exhausting kind of
movement, a
tremor, you
wash into my thoughts
from recurrent and
flitting streams. Here,
I could tell you, talk
to you, about this, how
this feels, not this body, but
this as in a found
despair for language, for
rhythm. And this, as in
my, incarnation, dusty with dry
resin, prostrate in
these swollen chords. I
know that cracked and
jaundiced ceiling, the
rasp and tenor of my
voice. I can hear
you hunched over
the bathroom
sink proclaiming that,
sometimes, there's no
trusting how you
feel or, at the
very least, the reasons
you're given. But I
said that or I thought it
before, before
this. I've stayed calm for as
long as I could, felt
collected as far
down as my skin would
go, now this
shell, but under that
tossing as a feverish
sleep, muscle,
bone, and nerves shifting
hot and cold. My
voice gives me
away that tremble, now
tremolo, stitched to my
answer.
1 Comments:
Ok, first, the picture. Really top-notch. I love it. The insinuation of the mask, the acting of required parts. But the boy is master of them all, or so he believes.
The poem. Well. Technically and aesthetically I like it a lot. Of course, being a friend of the author, I really wonder about things like who "you" is. And the metaphors. "Swollen chords" refers to what, exactly? "Dusty with dry resin" means? What "exhausting kind of/movement" in particular? You know, those sorts of things. I like the poem but I feel like you're the only one who truly understands it, since it seems so intensely personal.
Yeah, great stuff. Keep it up and please post more. I'll have to dig something up now.
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